Olé.
Literature, Religion, Politics, Rants, Murmurs, and Medieval History
My absolute favorite – and possibly one of the best dark ambient releases in recent years – comes from one of the leading names in that genre, the UK experimental outfit Attrition, alias Martin Bowes. I came upon this talented artist a few years ago – fairly late in the game, considering Attrition has been around since the early '80s – and I was instantly hooked by Bowes' solitary devotion to creating moods and atmospheres instead of catchy melodies. Back when the term “industrial music” was less mainstream and applied mainly to avant-garde acts like Throbbing Gristle, Coil and Einsturzende Neubaten, Attrition were building a revolutionary style of their own, and decades later Bowes hasn't strayed from that goal with the latest Attrition release All Mine Enemys Whispers – one of the band's finest achievements in a long and storied career.Here's the cool and messed-up video for their song "This Girl Called Harmony":
Whispers weaves the horrific tale of Mary Ann Cotton, one of England's most notorious serial killers. Responsible for the deaths (by poisoning) of up to 21 people – most of whom were her own children – Cotton would be perfect subject matter for a horrifying Halloween concept album. But instead of taking the more overtly gruesome route, Bowes opts for a sublime ambiance of growing doom to pull you headlong into the very thoughts of this human monster... even daring to make you sympathize with her before dragging you bodily to the depths of the underworld, surrounded by the whispering chants of her many victims.
As it turns out, Cotton is more than a mere macabre curiosity as far as this artist is concerned: the project was born out of Bowes' own ancestral link to Cotton's killing spree. Not only is he a distant relative of the constable who arrested Cotton in 1872, but Bowes recently came into possession of Cotton's sewing box, which the convicted murderer gave to the officer's daughter (Bowes' great great great aunt) just before her imprisonment. A photo of the box is included in the CD liner notes, and the sound of the box being struck can be heard on the track “Gates of Eternity.”
Interwoven with Bowes' elaborate synth programming and sound effects – which range from deep drones and hums to open, airy washes and some jarringly distorted glitch-loops – are eerie contributions from variety of recognizable names in the Gothic and dark ambient/industrial genres: Emilie Autumn takes up her signature violin as well as providing one of the few conventional lyric passages (a creepy rendition of “Rock of Ages”) on “Gates of Eternity,” while Rasputina's Erica Mulkey joins on cello, Ned Kirby of Stromkern plays piano and Laurie Reade of Pigface and High Blue Star offers backing vocals. Even Bowes' children participate with a bone-chilling rendition of a Victorian children's rhyme (“Mary Ann Cotton... She's dead and she's rotten”) on opening track “What Shall I Sing?” The expanded canvas results in a more complex, focused sound than I expected, with motifs that speak to an abstract storytelling style – it all feels like the score to a sublime horror film that exists only in your mind.
Avoiding all of the pretensions that can often accompany a concept album, Whispers is one of the most unique musical realizations I've heard in a years. A completely immersive work of art, it deserves to be experienced in a darkened room, awash in your choice of incense. To top off the experience, there's even a set of collectible stickers styled after vintage poison vial labels, that you can use to keep your roommate from borrowing your favorite cologne.
From the Smithsonian Magazine: "This blue bowl (c. 1300 B.C.), housed in the Rijksmuseum van Oudheden in Leiden, Amsterdam, features a musician tattooed with an image of the household deity Bes on her thigh."Ad vesperum demorabitur fletus et ad matutinum laetitia. [Psalm 29](Two notes: 1) It's not actually from the Vulgate, but from the translation from the Greek Septuagint. Jerome's Vulgate psalms never caught on, since people were used to singing the other version. 2) The numbering of the Psalms is different in English and Latin -- that's why it's Psalm 30 in the RSV.)
In the evening weeping shall have place, and in the morning gladness. [Douay-Rheims version]
Weeping may tarry for the night,
but joy comes with the morning. [RSV, Psalm 30]

Mirhab, Iranian, fourteenth century.After pressure from the right-wing blogger Michelle Malkin, Dunkin' Donuts has cancelled an online ad featuring TV host Rachael Ray wearing a keffiyeh.
Malkin described the piece of Arab men's headdress as "a regular adornment of Muslim terrorists".
According to Dunkin' Donuts, "no symbolism was intended" by the silk keffiyeh. Malkin has praised the company for its decision, saying that the picture of the scarf could have led to "the mainstreaming of violence" (BBC).
So my question is: what was Timothy McVeigh wearing when he perpetrated his terrorist act? And if he was wearing a shirt and trousers, should everyone now stop wearing shirts and trousers? Come on now.
If you disagree with Dunkin' Donuts's decision, please contact them.
The crypt of the Condes de Buenavista, in the Santuario de la Virgen de la Victoria, in Malaga, Spain. Really, this has nothing to do with the blog post -- I was googling "Santa Maria de la Victoria" to look for an image since Obama's winning, etc., but really that doesn't work for me because that devotion usually has to do with a bellicose and imperialist idea of Catholicism that's a wee bit distasteful, but at the same time I found this image and had to put it up because, dude, it is so cool...I have regularly criticized Clinton over the course of her campaign (and long before it, starting with her vote to authorize the war), but there is no question that she has forever altered the way women running for president will be viewed from here on out. In the words of the Times, Clinton has established "a new marker for what a woman can accomplish in a campaign -- raising over $170 million, frequently winning more favorable reviews on debate performances than her male rivals, rallying older women, and persuading white male voters who were never expected to support her."Of course, I say this from the perspective of one who has supported the winner. Although I respect what she has achieved, I still deplore the Rovian methods she often used to achieve it. I hope this is that last time I will be writing about Hillary Clinton unless I am commenting on how she is throwing all of her support to the person who is without doubt the nominee.
Here’s the thing: There is plenty of sexism—more than enough, thank you very much—in this country. Which is why it’s so sad to see Hillary’s supporters (and lately even her female detractors, and way too many column inches) elevate her to some kind of goddess warrior, symbolizing the decades-long fight for gender equality, absorbing the entirety of history’s catcall in one massive blow, and then standing tall again because that’s what women do. Powerful stuff, except that she’s a lying, race-baiting insult to our collective intelligence. Powerful, if she and her husband hadn’t sold out poor people in the ’90s or if she had stood tall like a woman against the war in Iraq or if she wasn’t right now trying to change the rules of the game and stir up the worst kind of identity politics. Powerful, if her most fervent supporters weren’t threatening to vote for John McCain out of spite, Supreme Court justices be damned.Benedikt refers to a NYT article I had already read that shows some remarkable views of certain Clinton supports:
Cynthia Ruccia, 55, a sales director for Mary Kay cosmetics in Columbus, Ohio, is organizing a group, Clinton Supporters Count Too, of mostly women in swing states who plan to campaign against Mr. Obama in November. “We, the most loyal constituency, are being told to sit down, shut up and get to the back of the bus,” she said."Get to the back of the bus." Interesting choice of words, considering the context. There are more, including Ferraro's comments.
Where in the world (shrines apart) is there another church with no registered parishioners that has a pastor and 20 assistants, offers confessions 13 hours a day and utilizes 520-plus volunteers -- 250 for liturgical duties, 270 for social outreach? and has Br. Sebastian Tobin, a non-ordained friar, making sandals in the basement. This is a commuters' church such as is possible only in New York.Daily at 7 a.m., as it has since 1929, the St. Francis Breadline -- a $600,000-plus-a-year project -- welcomes the hungry and homeless for coffee and sandwiches.
This St. Francis complex is as much beehive as parish. There are Franciscans everywhere. The friars are fire department and union chaplains, physicians, psychotherapists, canon lawyers, teachers, treasurers, magazine editors and the all-essential fundraisers. The parish has adult education programs, seniors groups and self-help meetings, Filipino Fellowship, Masses in Korean, devotions, novenas, stations, lecture series and outings. Catholic to the core.
At Br. William Mann's West 31st Street bookstore, even the thieves are Catholics. One elderly soul dropped an unpaid-for videocassette into her pocketbook. Mann asked her to replace it on the shelf. A hopeless case? The video was, "How to Make a Novena to St. Jude."
Hey, this is New York. If people rub St. Francis' bronze heels on West 32nd Street, someone knocked off most of the animals' heads on the St. Francis sculpture on West 31st Street.
St. Francis was also the home of Father Michal Judge, OFM, the NYFD chaplain who was the first official victim of the attacks of September 11th. I saw the first half of a documentary about him called Saint of 9/11, and he seems to have been quite a remarkable man. The film was good, too, and you can watch it on your computer if you have Netflix. In one chapel of the church there's beautiful stained glass memorial to the victims of 9/11. It shows a dove circling the base of one the WTC buildings while angels comfort two firefighters. A cross is imposed on the building and beams of light proceed from the cross. To the right, placed a position that is appropriately, for a minor friar, understated, is Father Judge, contemplating the light. A very moving tribute in a unique sacred space.
St. Anne teaching the child Mary to read, from a book of hours.
Pentecost, from a sixth-century manuscript.
Thomas Aquinas, holding a wee church and a book containing his fellowship application.
Cats and mice, from a thirteenth-century English bestiary.
The baptism of Clovis (doesn't really have much to do with the primaries, but it's cool).